DIESEL (UPC0MING)

A surreal existential crime film about a hitman who lives out of his car. On the way to his next job, he picks up a hitchhiker... a girl who claims to need his help, but might be running from a darkness of her own.

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THROUGH THE DEVIL'S LENS (2025)

In a bid to make his mark as a filmmaker, Aambitious and reckless young director delves into the occult, armed only with his camcorder and a dangerous ritual, to capture what no one else has -- footage of a real demon.

SESSION ONE (2024)

The story of a man's first therapy session. Utilising surrealism, horror tropes and experimental devices, the film creates a series of vignettes delving into the subconscious mind of the protagonist.

OF THE ABYSS (2022)

A man reckons with his isolation as things slowly delve into a world less and less familiar. Furthering my exploration of dejection, this is a spiritual sequel to Catatonia.

CATATONIA (2021)

The film was made for HSC Extension 2 English. The primary influences were: André Breton and Salvador Dalí's Un Chien Andalou (1927), David Lynch's Eraserhead (1977) and Fritz Lang's Metropolis (1927). In it I aim to “deinstitutionalize” the mind of the audience, the characters and myself.

FRAGMENTS (2026)

Black and white 35mm film photography. Grainy, over-or-under exposed, scratched, light leaks; the film is in conversation with what it captures.

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DESTINATIONS (2025)

Wide-lens digital photography while travelling across South-East Asia and Europe.

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